DerKnott: MuBaCo V

Planet Z: https://forums.scopeusers.com/viewtopic.php?f=16&t=20875

Download: https://forums.scopeusers.com/download/file.php?id=1330

Presets: https://forums.scopeusers.com/download/file.php?id=1331

MuBaCo V is getting close to its final beta stage…
I post this version to give you a first impression of this beautiful device. Functionality works the way it should, but there is still lot to do with some layout-things.

IMPORTANT!!!!!!!

– put files 1, 2, f1, f2, sc2, sc, tc1b in your DSP-folder:
Otherwise MuBaCo will not work.

– don’t forget to try the different band-saturation-modes

– 12db filters are not so easy to handle so I put them on the experimental side as an additional feature

=> band-saturation and other features need serious DSP. Turn off when using small cards. There is no guaranty MuBaCo will work properly on small cards regarding phase issues. I tested it on a 15 DSP card!

I have tested MuBaCo carefully and found it very usefull in my everyday-work. With the new surface it’s not 100% finished, but I couldn’t hold it back any longer.
As with all my devices, there is no guaranty for anything. Consider them as experimental beta-stuff.
Work with them on your own risk.

MuBaCo is free, you may give it for free to your friends, but you are not allowed to take any money for it or distribute it widely.

If you find MuBaCo gives you a value that’s worth some money, please SUPPORT THE SCOPE PLATFORM, SC and the 3rd Party developers by spending money on some new devices by them or a new SCOPE-card !!!!

1000000 Thanks for the new supercool surface by PIXELBITES.

MuBaCo-V-Routing-window

 

Shroomz~> SPACE EQ

Planet Z: https://forums.scopeusers.com/viewtopic.php?f=16&t=27041

Download: https://forums.scopeusers.com/download/file.php?id=4706

SPACE EQ – simple Stereo EQ device for mixing & mastering

I’m pleased to give you my first new Scope device creation in over 5 months – SPACE EQ. It’s a very simple stereo-only device that combines EQs based on on Creamware’s excellent 2-band parametric with a spacial technique which doesn’t involve delay or reverberation. The spacial effect can be turned off simply by turning the ‘SPACE’ parameter fully left. There’s also a softclip at the output stage which can be switched on & off.

The Low & High frequency EQ parameters all use stepped potentiometers for ease of making very quick settings. The EQ values & ranges have been set up with the sole idea in mind that the device can be used for mixing & mastering purposes (probably with no or very little use of the SPACE parameter, which is a special effect for those who like to dabble with experimental mixing techniques). I made SPACE EQ for my own mixing knowing that I will sometimes wish to mix with 3 or 4 dB boosts at 60-80Hz & 8-16kHz.

Feel free to let me know what you think..

Have fun folks.. :cool:

~Mark

SPACE_EQ

 

Roy Thinnes: CwmSynthi

Planet Z: https://forums.scopeusers.com/viewtopic.php?f=16&t=29400

Download: http://www.cwmodular.org/files/CwmSynthi.zip

hullo!
a new cwm device. more infos here.
sound snippets v1.0v1.2v1.3v1.6.

cwmSynthi

Description

Semi modular Synth.

All sound and modulation sources as well as the various inserts(processing units) can be selected.
basic procedure: select one or more osc(s), crank up it’s volume in one of the two sourceMix modules, and start elaborating it by selecting one or more of the various insert circuits (see below). you have 2×6 inserts available. if wanted, use Chorus and EQs at the end of the signal chain. tip: watch out for clipping.
Because selecting different “modules” (oscs, inserts, mod sources) for different presets means (de)activating the respective dsps, crackling will occur when switching between presets with different “circuits”. turn down volume of your amp a bit.
Features:
*osc FM and PitchMod; constantFrq if wanted.
oscs: MultiOscMaster, MultiOscSlave – if using the slave version, it can be synced to gate (useful for FM) or a MultiOscMaster (HardSync).
morphingSaw with shapeMod (sine<->saw)
morphingPulse with shapeMod,(pulse<->saw) and PWMod
RawSaw – more brilliant, but (in higher frequencies) slightly distorted sound
ExtIn1&2 – use cwmSynthi as an fx device.
whiteNoise is available in the sourceMix section.
mods: Adsr, Ad with attack & delay slope, LevelVelocity and TimeVelocity controls.
multiLfo – expanded version with polarity switch, beatSync and gainMod controls.
randomSignalGenerator – type (sine/tri/step), polarity switch, rateMod controls
envFollow – to use external audio as a mod source. in&out gain, att, rel controls.
extIn/Insert – all signals inside (osc1-3, noise, ins11-26) and outside (extIn1,2) can be used as mod sources. with smooth and gain controls.
keyFollow – amount (-/+200) and baseKey controls. useful eg for KarplusStrong sound.
const/CC – use a midiCC to modulate several sound parameters at once.
inserts: BitChop (ins11+21 only)
TempoDelay (ins12-16 and 22-26 only) – max. delTime 5461ms; tempoSync, FB, dry, wet controls
Division – modulatable distortion module. parameters: modGain (-99 to +99), offset (-99 to +99), attenuation (-99 to dry). you can switch what is dividend and what the divisor (mod source or sound input).
multiply(Vca) – module that is normally used in any sound for loudness control (except “noodles”).
x^2or3 – power of 2 or 3 of the processed signal
MultiModeFilter – 12dB filter. freq, 2x cfMod, Q, ampl controls, lp/hp/bp switch.
CombFilter – coarse, reso, damp controls incl. mods.
VocFilter – the usual version incl. xMod (<-Formant) and frq modulation.
8kModDelay – max delTime 166.7ms (can be modulated); timeOffset, damp and FBamp controls.
module is quite heavy on dsp.
Mix4 – inputs are osc1-3, noise, ext1/2, ins11-26)
*pan&out section: set panning incl. panMod and level for the two insert lines (ins11-16 resp. 21-26).
*VUs
 for every insert to avoid clipping (switchable)
*note pad on bottom of the synth (text is saved in presets)
*Chorus and 3xEQ before audio out
 

Roy Thinnes: CwMix16-16

Planet Z: https://forums.scopeusers.com/viewtopic.php?f=16&t=30818

Documentation: http://www.cwmodular.org/files/cwmix.pdf

Download: http://www.cwmodular.org/files/cwmixers.zip

16 stereo / 16 mono channel mixer.
on/off dsp switches for all channels -> minimal dsp usage
per channel:
preAmp
1 x pre-eq insert
4-way eq (accessible via channel number/edit button):
-low eq: lowCut2, lowcut4 or lowshelve
-lowMid eq: bp, lowshelve or paramEq
-highMid eq: bp, hiShelve or paramEq
-high eq: highCut2,4 or hiShelve
4 x aux
2 x inserts
pan
mute
solo
4 x bus
selectable channel colors + editable names
VUs:
-after preAmp
-after mixer channel fader

CwMix16-16 8Busc

cwmixAll

CwMix16-16

 

HUROLURA: OSS 108

Planet Z Thread

Download OSS 108

One small Synthesizer (OSS) 108 is based on my first Synth plug OSS 107.
I just finalised it and intend to use it as a basis for a rebuild version of my Opale Project.
Meanwhile I release this one for thoose waiting for the Opale.
The main differences are:
– different filter
– new Oscillator instead of the UKNOW Osc used in the OSS 107:
=> phase parameter is replaced by a morphing function between Sine and PWM , and between Sine and Saw
=> Sub Osc is replaced by a Ring Modulator
=> Ghost Host include different signal processing
The preset are based uppon thoose of the OSS 107 with slight correction on some of them …

Hope you enjoy it.

OSS-108

 

HUROLURA: OSS 107

Planet Z Thread

Download OSS 107

Finally here it is for you all: my first SDK synth plug-in.

Thanks to all the kind people who help me in any way to set this one up and running and especially:
– Neutron for his “public” project which help me much to understand synth construction under scope SDK
– ShroomZ for his smart GUI elements
– all the people who were so kind to beta test it for me and especially
– my french speaking friends from MaoMusique (JoyLulu, CWAudio, Gustav and Reidid other there) and provide me a first bunch of presets (52 until now which would be released other there as soon as I get a full 128 presets)
– irrelevance, hifiboom, Johannis, scope4live, breitner and JLS who tested it and provide me a second bunch of preset (30 until now provided by Breitner and JLS). The feedback I had so far just gave me more hints on how to enhance the plug. I finally decide that it would not be further modified to keep preset compatibility and take the enhancement request for one of the next plug (maybe an advanced version of the OSS 107).

Not that much new but thought to be remote with a hardware midi BCR 2000 controller (other could also work, template provided for both BCR 2000 and BCF 2000).

This one is just designed to be a small and simple not so DSP hungry analog like synth.

In the package you will find:
– my first set of presets for this plug (a 58 preset bank)
– a manual in english and french.
– BCR 2000 and BCF 2000 templates

Merry ChristmaZ to you all

CheerZ

HUROLURA

OSS-107

OSS-107_BCR2000-mapping

 

Shroomz~> Can Control

Planet Z Thread

Download Can Control

CAN CONTROL v1.0 – Crossfeed EQ headphone monitoring aid

Thanks to all the beta testers for your time & for the high level of feedback. The only significant change since the last beta release is the addition of separate L & R input mutes for setting up the device. These mutes are not included in presets because they don’t need to be.

Please feel free to share your presets here since I’ve opted to release it without any, but be aware that when using someone’s preset, you may well have to tweak the device to your own preference even if using the same monitor speakers & cans/phones as they are. That shouldn’t be an issue though, as you’ll need to set the device up for yourself anyway whether starting from a preset or not.

Cheers,
~Mark

CAN_CONTROL

Quick Start Guide

  1. Connect CAN CONTROL in line before your headphone monitoring output.
  2. Turn the CAN CONTROL master volume level down low.
  3. Play some music. Pink Floyd’s ‘Dark side of the moon’ is a good example of music that benefits from crossfeed, but there are many others (most infact).
  4. Turn the master volume back up to a listening level that you’re happy with.
  5. Mute the left (L) or right (R) hand side with the mute buttons at the top corners of the green window so that you’re only listening to one side.
  6. Switch on & off the crossfeed with the round black button labeled ‘X’ or by clicking the x-feed on/off switches in the green window.
  7. Play with the ‘High Loss F’ (frequency) and ‘High Loss G’ (gain) & ‘Delay’ parameters to adjust to your own head for a sound coming at an angle in front which sounds as close as possible to what you hear from your monitor speaker on that side instead of inside your head like you would normally hear on your headphones (especially closed back types). You won’t hear any difference with a mono record, but for sounds recorded only on one channel & in between, you should get a significant effect that gives a sense of some extra space.
  8. Adjust the crossfeed gain (X Gain) and left/right gain (LR Gain) parameters if necessary.
  9. Switch the muted channel back on, so that you’re now listening to both left and right hand sides.
  10. Adjust master EQ section parameters if necessary. You may find the need to cut bass frequencies between 250-500Hz by 1 to 2dB using the Low Shelf, but in some cases you may not! It’s a balance of what you’re monitoring & personal taste.
  11. Use your ears and some trial & error adjusting and listening to different types of music, saving yourself some presets with settings you’re happy with as you go.
  12. If you wish to get technical in setting up CAN CONTROL you can follow some of the procedures above using sine waves or filtered pink noise, but you have to submit pictures to this thread of you wearing your lab coat.

That should be enough to get you started. When I have time I’ll write something more in-depth if there’s a demand.

~Mark

 

Erminardi: LE-1 Loudness Enhancer

Planet Z Thread

Download LE-1

LE-1 is a Loudness Enhancer.
I’ve built this for my own needs, but if U find it useful, take it for free ;)
It’s not formally a classic compressor and not a classic EQ, it’s a “signal fattener” with “eq” controls for high and low band plus a tube warmer.
I’ve built it for invigorate my “poor & constipated” native soft synthesizers (FM7, and some freeware). It’s calibrated in my own taste.
Try it also with standard Creamware synths like Uknow, Saturn or Miniscope, or try with voice recording and (with carefulness) with some poor MP3 songs (warning, maximized mix and/or higher pot levels can reach some unwanted distortion).

If U find some bugs and if U have some opinion, please let me know ;)

Enjoy =)

Dropout – www.cactusound.com

sound(at)cactusound.com

le-1